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Tosca 2000 Conference, Rome |
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Most
opera lovers know that the year 2000 marks the centennial of the premiere
of one of the world's most popular operas, Giacomo Puccini's Tosca (first
performed on January 14, 1900 in Rome). Fewer people may realize that this
year also marks the bicentennial of the events which the opera purports
to represent: the arrival in the Eternal City of the news that Napoleon
Bonaparte had won the battle of Marengo, thus changing the destiny of Italy.
The
centennial and the bicentennial were both celebrated at a major international
and interdisciplinary conference, Tosca 2000, which was held in Rome on
June 16 through June 18, 2000. These dates were chosen because they were
the exact days, two centuries later, on which the events of the opera
occur.
Tosca
2000 was organized in the United States by Harvard University Lecturer
and noted Puccini scholar Deborah Burton and by me, Susan Vandiver Nicassio,
University of Louisiana Professor of History and author of Tosca's Rome:
The Play and the Opera in Historical Perspective (University of Chicago
Press, 2000). On the Italian side the organizers were Guido Salvetti,
director of the Conservatorio di Musica "G. Verdi" and Agostino
Ziino, Professor of Musicology at the Universitá di Roma "Tor Vergata."
Among
the special events at Tosca 2000 was the modern premiere, on the evening
of June 17, of a very special Te Deum. The first act of Tosca ends with
a Te Deum sung in the Church of Sant'Andrea della Valle. In the real world
at just about the same time, there was another Te Deum being celebrated
this one written not by Giacomo Puccini for an opera, but by the composer's
grandfather, Domenico Puccini, to celebrate the victory over the armies
of the French Revolution at Genoa (June 4, 1800). This was the victory
that would have been celebrated in Rome on June 17 (when the action of
the first Act of the opera is set), not Marengo. Domenico Puccini's Te
Deum, in a new edition by musicologist and conductor Herbert Handt, will
be performed for the first time in two hundred years at the Church of
Sant'Andrea della Valle "Tosca's church." Domenico's composition
will be paired with the Te Deum that ends Act I of the opera written by
his grandson, Giacomo Puccini (performed by kind permission of the composers
granddaughter, Simonetta Puccini).
The following
details the program for the conference. Academic titles have been omitted
for purposes of space.
TOSCA 2000 Program
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Friday
June 16
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17:30 - 19:30
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Welcome and
opening ceremonies
Session 1: keynote papers (Eugen Weber, and to be arranged)
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20:00 - 22:30
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Banquet, ceremonial
presentation with honored guests
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Saturday,
June 17
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9:30-11:00
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Session 2a:
Church and State (John Anthony Davis,
Conrad Donakowski, Susan Nicassio)
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11:15-12:45
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Session 2b:
Musicological Studies (Pier Giuseppe Gillio,
Michael Kaye, Johannes Streicher)
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13:00-14:45
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Lunch
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15:00-17:00
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Session 3: Roundtable
discussion
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17:15-19:45
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Session 4: Musical
Analysis (Deborah Burton, Marcello Conati, Alfredo Mandelli, Giorgio
Sanguinetti)
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20:00
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Reception
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21:30-23:00
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Concert at Sant'Andrea
della Valle (Domenico and
Giacomo Puccini Te Deums)
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Sunday, June
18
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9:15-10:15
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Session 5a:
The Year 1800 (Herbert Handt, Marina Formica)
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10:15-11:15
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Session 5b:
The Shadow of Napoleon (Alexander Grab, Jargen
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11:30-12:30
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Session 5c:
Performance Issues (Suzanne Scherr, Luigi Squarzina)
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13:00 - 15:00
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Lunch
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15:30-17:00
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Session 6a:
Sardou (Julian Budden, Dieter Schickling,
William Laird Kleine-Ahlbrandt)
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17:15-18:15
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Session 6b:
To be Arranged
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19:30-21:00
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Reception
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21:30-23:00
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Multi-media
presentation (Tito Schipa, Jr.)
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Other
invited guests and participants included Licia Albanese, Paolo Cattani,
Rodolfo Celletti, Giuseppe di Stefano, Francesco Ernani, Gioacchino Lanza-Tomasi,
Giovanni Melandri, Magda Olivero, Carlo Mandelli Roscioni, Guido Salvetti,
Matteo Sansone, Roman Vlad, and Agostino Ziino.
A complete
list of guests and events is available on our conference website:
www.ToscasRome.com
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